CHRONOLOGY
2024
Concrete is Fluid, Getty's PST ART: Art & Science Collide, Honor Fraser Gallery
Brackish Water, Getty's PST ART: Art & Science Collide, Cal State Dominguez Hills University Art Gallery
The Great Vibration, Energy Fields: Vibrations of the Pacific, Getty's PST ART: Art & Science Collide, Presented by Fulcrum Arts and Chapman University
Nature on Notice, Contemporary Art and Ecology, Getty’s PST ART: Art & Science Collide, Presented by LACMA, Charles White Elementary School Gallery
Summertime, Brand Library and Art Center
Conduit, Ontario Museum of History and Art, “Accretion Lab”
2023
Desert X 2023, Palm Springs, CA, “The Smallest Sea with the Largest Heart”
Underland at PRJCTLA in downtown Los Angeles, March 2023
2022
Singing in Unison, Brooklyn Rail at Industry City, NYC
Deep Ecology in the Cognitive Capitalocene, SFSIA 2022 | New York City in collaboration with The Brooklyn Rail
June 23 – July 1
https://sfsia.art/2022-new-york-city/2022-nyc-faculty-bios/Bending the River, Pitzer College curated by Robert Crouch and Ciara Ennis, Fall 2022
Microgrid installed at PPG, Owens Dry Lake
Exhibiting in NL XX LA, An Exhibition Connecting Contemporary Dutch and Los Angeles Art. curated by Frank Taal and Carl Berg, March 5–April 9, 2022
The Continent Stripped Bare. Gelatin silver liminal print mounted on Aluminum
Exhibiting in MINING PHOTOGRAPHY: THE ECOLOGICAL FOOTPRINT OF IMAGE PRODUCTION at The Museum für Kunst und Gewerbe Hamburg (MK&G) in Hamburg
https://www.mkg-hamburg.de/en/exhibitions/upcoming/mining-photography.html
2021
Exhibited in MQ: Exhibition Overground Resistance at frei_raum Q21 exhibition space/MuseumsQuartier Wien in Vienna, Austria
https://www.e-flux.com/announcements/312151/mq-exhibition-overground-resistance/
2020
Exhibited in DESICCATED CAPITOL at CMAY Gallery in Los Angeles, CA
Spoke on February 29 at Art Symposium: Sovereignty Expanded at Pitzer College Art Gallery on the panel: “Decolonizing the Geography of the American West”
Exhibited in Heavy Metal at Denk Gallery in Los Angeles, CA
2019
Spoke on October 17th at the Stamps School of Art and Design at the University of Michigan as a part of the Penny W. Stamps Distinguished speaker series
Occupy Colby: Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy, Year 2 at the Colby Museum of Art
Receiving the critical 408 Permit from the Army Corps of Engineers and utilizing Los Angeles’ first private water right, Lauren Bon and Metabolic Studio began the implementation phase in the Los Angeles River as a part of Bending the River Back Into the City.
“Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy: Mare Nostrum” exhibition at the Collateral Events of the 58th International Art Exhibition La Biennale di Venezia
Portable Wetland for Southern California established a system to cleanse salvaged water at an exhibition at Various Small Fires in Los Angeles. After the system was established, Portable Wetland for Southern California was installed at the Anabolic Studio, adjacent to the Los Angeles River, in downtown Los Angeles
Anabolic Studio began to transform an industrial yard adjacent the Los Angeles River, by capturing and cleaning captured rain water and utilizing native plants to cleanse the soil
Clay discovered at Metabolic Studio’s project site adjacent to the Los Angeles River was processed and made through community workshops into ollas, traditional watd
2018
Board of Public Works issued City of Los Angeles approval to Lauren Bon and the Metabolic Studio for access to city land in the Los Angeles River for the Bending the River Back Into the City project
10-year Long Term Water Agreement with Los Angeles State Historic Park was signed, creating a future where the Los Angeles River and its former floodplain will be reconnected
Participated in the Art and Politics panel to discuss Bending the River Back Into the City at Art Basel in Basel, Switzerland with Laura Raicovich and Ahmet Ogut
2017
“Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy: Occupy Mana” exhibition at Mana Contemporary in Jersey City, NJ
Published Manifesto for “The River Rail”, a special edition of The Brooklyn Rail
2016
The Catch exhibited at the Hammer Museum in Los Angeles. As light will be refracted though the water lens, so too does the sonic experience of The Catch refract the larger work, Bending the River Back into the City. The Catch is part of an increasingly prominent area of the practice that shifts large-scale, functional objects into the abstract by way of sound
Hosted Water Conversations, three meetings with the pan-indigenous native community about leveraging a private water right for a future beneficial exchange for the tribal reservations as a part of Bending the River Back into the City
2015
As a result of the United Nations visiting Detroit concerning water shut-offs, convened together various choirs of the Detroit community to cut an album in response to those water shut-offs at United Sound Systems Recording Studios, the oldest independent operating recording studio in the US
As a part of the Chicago Humanities Festival, Optics Division of Metabolic Studio participated with the Liminal Camera and conducted a photographic survey of the Great Lakes, the largest body of fresh water in the world. This body of work was presented at the exhibition “Liminal Infrastructure” at the Depaul Museum of Art in Chicago, IL
Saving the West talk at the Art and the Environment Conference in Reno, Nevada with Helen and Newton Harrison at the Nevada Museum of Art
Interceded with the City of Los Angeles’s designs for the Spring Street Bridge expansion over public safety and access concerns. Proposed alternative openings within the concrete footings supporting the expansion to allow for visual continuity and better ease of access and safety
Began piercing civil infrastructure with the city approved proposal of water drop shapes in the footings of Spring Street Bridge extension in Los Angeles
IOU Theatre, a series of radio plays made from television shows shot in the local region of Owens Valley, performed live and transmitted on internet radio, kppglive.org
2014
Applied for and received Los Angeles’s first private water right (Permit #21342) by the California State Water Board. The water right gives access to 106 acre feet of water from the Los Angeles River as a part of Bending the River Back into the City
Undevelopment One began a pilot project for regenerating the industrial corridor in downtown Los Angeles, utilizing a portable wetland to cleanse salvaged water and distribute that water onto six sixty-foot diameter circles at the Metabolic studio project site where the long existing concrete tarmac had been removed
Research on private water rights led to a proposal for the United Nations, Conventions on the Watershed of the Intermountain West
Formed a proposed new country called Rose C.O.W. (Coalition of Watersheds), and issued passports for Rose C.O.W., a country that would be a self-selecting community composed of individuals who place the survival of mother earth as the highest calling
Sonic Division of Metabolic Studio begins a weekly jam sessions and the sounds filtered and streamed through the silos at the Pittsburgh Plate and Glass Factory (PPG) on the edge of Owens Dry Lake
2013
One Hundred Mules Walking the LA Aqueduct, the Los Angeles Department of Water and Power permitted a month-long procession to commemorate the centenary of the opening of the LA Aqueduct along the 240 miles of infrastructure from the Owens valley to downtown Los Angeles
Documentation and indexicals of One Hundred Mules Walking the LA Aqueduct exhibited at “After the Aqueduct” exhibition at Los Angeles Contemporary Exhibitions (LACE)
2012
One Hundred Conversations About Water began as a centenary set of actions on the centenary of the opening of the LA aqueduct action
IOU Bread Oven was built from brick clay sourced from Owens Dry Lake and placed in the IOU Garden in Lone Pine, CA for community use
2011
Bending the River Back into the City conceived as a result of a brainstorming session about the LA Aqueduct on its centenary on November 5, 2013 with key stakeholders who are still cooperating to make this revision in the Los Angeles River channel so that Los Angeles River wastewater can be reconnected to the Los Angeles State Historic Park
Liminal Camera, a camera made from a repurposed shipping container, traveled across the USA as a part of “The Flag Tour” to raise the largest American flag in the world at sites of environmental distress, which included the Owens Dry Lake, World Trade Center on the 10th anniversary of 9/11, the Erie Canal, Kodak factory on the day it declared Bankruptcy, and the Washington Mall
Silver and Water exhibition of liminal prints made on the “Flag Tour” at the George Eastman Museum in Rochester, NY
2010
Strawberry Flag occupied a quadrangle between buildings 205, 208, 209 at the West Los Angeles Veterans Administration campus with an aquaponic strawberry farm in the shape of an American Flag providing occupational training and programming to veterans
Built Optics Division’s Liminal Camera from a repurposed shipping container with the intention of reinterpreting photography
2009
Established Metabolic Studio to explore self-sustaining and self-diversifying systems of exchange that feed emergent properties that regenerate the life web
Directed Three Day Shoot Out at the silos of the Pittsburgh Plate and Glass factory (PPG) on the Owens Dry Lake. Pipeline, a handmade film, brought communities together in an immersive environment to explore site specific experimental filmmaking
The Owens Valley Dry Lake Bed Glass and Water Citizens Metabolic Orchestra met weekly for three months inside PPG to rehearse “Somewhere Over The Rainbow” on a glass and water harp. This culminated in The Tin Man performance which brought 200 Los Angelenos to the foothills of Mount Whitney in the Owens Valley, where the city of Los Angeles’s water is sourced from
Began working with Douglas Lee on sound and vibrational physical manifestations forming the Sonic Division practice at Metabolic Studio
Began working with Tristan Duke and Richard Nielsen to make an image of a landscape out of the landscape forming the Optics Division at Metabolic Studio
Began cooperative management of Pittsburgh Plate Glass Factory (PPG) with the owner, Owens Valley resident Tani Tatum, a cattle-rancher and former professional golfer
2008
IOU Dirt, an organic soil project examined the commons of topsoil in the Owens Valley where water is redirected to be used in the city Los Angeles, 240 miles away
Opened the IOU Garden on Main Street in Lone Pine, CA as a community space for growers and gatherings on property owned by the city of Los Angeles’ Department of Water and Power
Established a weekly growers exchange and the IOU Bank of Trust and Time, exploring alternative currency and time-banking in the Owens Valley
2007
Unable to save the South Central Farm (South Los Angeles, 1994-2006), relocated the trees planted on the farm to the Huntington Library and Gardens
Bees and Meat exhibition at Ace Gallery in Los Angeles
Created Junker Gardens, using junker cars as mobile deployable gardens for use in distressed urban environments in Los Angeles
2006
Moved Not A Cornfield remnants to 1745 N Spring Street and initiated Farmlab, an ongoing inquiry to reduce planetary entropy
2006-2013
Under Spring created a safe place and community platform that organized meals, performances, and hosted civic and community events in a previously dangerous and derelict urban space under the Spring Street Bridge
Anabolic Monument consisted of a large circle of decaying corn bales left over from the Not a Cornfield harvest in 2006. Permitted by the Los Angeles State Historic Park to program activities within the boundaries of this work for the years that the corn bales were disintegrating until 2013
2005
Not A Cornfield transformed an abandoned train yard in the historic core of Los Angeles into a 32-acre cornfield for one agricultural cycle
2004
THING: New Sculpture exhibited at the The Hammer Museum at UCLA
2003
The Buffalo Repatriation repatriated buffalo from Catalina Island to their original home in the Rosebud Reservation in South Dakota
Project Room: Handheld Objects exhibition at the Santa Monica Museum of Art (now known as the The Institute of Contemporary Art, Los Angeles)
2000
“Invisible and Free” exhibition at the Miller Block Gallery in Boston, MA
1999
“Releasing Fear” in Belfast, Ireland for the Belfast Children's Festival - Young At Art
1998
“Diagrams of Chora” exhibition at the Miller Block Gallery in Boston, MA
1997
“From a Distance” exhibition at The Freud Museum, London
1996
Began showing at the Danielle Arnaud contemporary art in London
1995
Assistant to Polish sculptor Magdalena Abakanowicz
1994
Set designer for Beckett’s series of one acts at the American Repertory Theater at Harvard University
1993
Invited by Hong Kong architect Tao Ho to do a collaborative public sculpture in Hong Kong for the groundbreaking of the Landmark site
Created Hong Kong to Los Angeles via the Pacific and Hong Kong to Los Angeles via the Atlantic, two bronzes welded on two different ships going to Los Angeles in opposite directions from Hong Kong are patinated by the environmental wear of their respective journeys
1992
Signing, signed her name on large pieces of poster board and photographed workers in Belgrade, Yugoslavia, holding the sign in front of civil engineering projects going on in the city
1991
Created Anatomy, a human torso out of found objects hung between two olive oil presses
1989
Graduated from the Massachusetts Institute of Technology with a Masters of Architecture
Awarded runner-up in competition to commemorate Berkeley Free Speech Movement
Offering; within a vacated ship building warehouse at Charlestown Navy Yard in Boston, restored the 3-story tall (27 feet) band saw to its original condition
1987
Designer of PRO-Peace (People Reaching Out for Peace) encampments; a cross-country (Los Angeles to Washington D.C.) peace march for nuclear disarmament
1984
Graduated from Princeton University with a Bachelor of Arts in Architecture